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Unique Durations: 8-9
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Samuel Ricke
J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus II.
Samuel Ricke
3:32 Est. Play
Time
53 Measures
1,124Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 23 24 6 9 98%
Bass 28 0 9 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 23 24 6 9 98%
Bass 28 0 9 4 100%
Violoncello. Bass 28 0 9 3 100%
Violone. Bass 28 0 9 3 100%
Cornetto. 13 0 4 8 89%
Soprano. 13 0 4 6 89%
Alto. 14 0 5 7 83%
Trombone
I.		 14 0 5 6 83%
 
Requiem in D Minor, K. 626, III. Sequentia: Rex Tremendae By W. A. Mozart
Samuel Ricke
2:26 Est. Play
Time
22 Measures
1,069Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Bass 42 60 13 8 100%
Viola. 21 1 7 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Bass 42 60 13 8 100%
Viola. 21 1 7 5 100%
Violino
I.		 Treble 25 4 6 5 100%
Violino
II.		 Treble 24 4 7 5 100%
Violoncello, Basso
ed
Organo.		 Bass 34 0 11 6 100%
Trombone
I.		 11 0 2 8 88%
Trombone
II.		 13 0 3 5 88%
Trombone
III.		 Bass 14 0 2 8 88%
Alto. 10 0 2 9 86%
Basso. Bass 13 0 2 8 86%
Soprano. 12 0 3 8 86%
Tenore. 11 0 3 8 86%
Corni
di
Bassetto in
F.		 Treble 16 1 4 8 78%
Fagotti. Bass 18 0 5 8 75%
Timpani
in
D.A.		 Bass 4 0 0 6 48%
Trombe
in
D.		 Treble 4 3 0 6 42%
 
Handel: Messiah, HWV 56: Part II. "Hallelujah Chorus"
Samuel Ricke
3:28 Est. Play
Time
94 Measures
2,567Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 24 41 3 8 95%
Bass 20 8 2 8 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 24 41 3 8 95%
Bass 20 8 2 8 100%
Bassoon Bass 20 0 2 8 100%
Violoncellos Bass 21 0 2 8 100%
Violas 16 0 2 8 99%
Violins Treble 20 0 1 8 98%
Treble 21 0 3 8 96%
Contrabasses Bass 17 0 2 8 98%
Tenor Treble 13 0 1 8 96%
Bass Bass 14 0 2 8 95%
Contralto Treble 13 0 2 8 91%
Oboe Treble 12 0 0 8 88%
Soprano Treble 12 0 0 8 88%
D
Trumpet		 Treble 11 1 1 8 73%
Timpani Bass 2 0 0 8 50%
 
Requiem in D Minor, K. 626, III. Sequentia: Recordare By W. A. Mozart
Samuel Ricke
7:10 Est. Play
Time
130 Measures
1,627Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello ed
Basso.		 Bass 36 0 13 7 92%
Violino
II.		 Treble 24 0 6 8 92%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello ed
Basso.		 Bass 36 0 13 7 92%
Violino
II.		 Treble 24 0 6 8 92%
Viola. 23 0 8 7 88%
Violino
I.		 Treble 25 0 9 8 86%
Soprano Solo. 18 0 6 6 68%
Tenore solo. 14 0 5 6 65%
Basso solo. Bass 19 0 7 6 60%
Corni
di
Bassetto in
F.		 Treble 21 0 7 6 59%
Alto solo. 15 0 4 6 58%
Fagotti. Bass 24 35 7 6 47%
 
Fantasia and Fugue in C Minor, BWV 537 By Johann Sebastian Bach
Samuel Ricke
7:13 Est. Play
Time
179 Measures
1,237Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 30 0 13 9 97%
Treble 28 0 11 9 84%
Bass 23 0 8 7 72%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 30 0 13 9 97%
Treble 28 0 11 9 84%
Bass 23 0 8 7 72%
 
Mozart: Adagio and Fugue For Strings in C Minor, K. 546
Samuel Ricke
8:03 Est. Play
Time
171 Measures
1,390Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 26 2 12 10 94%
Violins Treble 33 6 14 9 89%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 26 2 12 10 94%
Violins Treble 33 6 14 9 89%
Treble 27 4 13 8 92%
Violas 23 3 9 10 92%